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Peter Pincus — Inset

November 2, 2021 By Sherry Leedy Contemporary Art

Peter Pincus’ elegant ceramics are instantly recognizable as his alone. the slip-cast porcelain vessels that make up Inset build on Pincus’ exploration of the history of ceramics, his technical expertise and understanding of color. The result is a dynamic perceptual experience as though an intimate tactile Op art.

In the world of ceramics Peter Pincus is a master of perfection. In his work, color and form are bound together as if neither could exist without the other. The complexity and hard work of Pincus’ studio practice is concealed from us in the final presentation. The creative invention of form, the precise technique of developing and casting complex molds, and the honing of a finely tuned color palette seem effortless and we see only beauty, exquisite color and form unmarred by struggle or hard work. Perfection of form is often delineated by slivers of cast colored porcelain, fine tuned to color harmonies, more akin to painting than to clay, or grey scales, tuned as though music.

Pincus holds a M.F.A. and B.F.A. from the New York State College of Ceramics at Alfred University. He currently holds the position of Visiting Assistant Professor in Ceramics at the School for American Crafts at Rochester Institute of Technology, NY. His ceramics can be found in numerous public and private collections, including the recent acquisition by the Daum Museum of Contemporary Art, Sedalia, MO.

Carrie Esser – Minerality

November 2, 2021 By Sherry Leedy Contemporary Art

Cary Esser‘s new series of intimate ceramic wall works, Minerality, explore the alchemy of glaze and the mystery of lacuna. Variations of form and the skin of surface on Esser’s book-sized structures are glazed with crystal, lusters of percious metal and vibrant color.

An ongoing connection between organic and geometric structures in my work has played a role in the creation and evolution of each new series. My early sensibilities as an artist were influenced by our built environments, and in particular by tiles and ornament with motifs of flora and fauna.

Esser is the Chair of Ceramics at the Kansas City Art Institute. Her work is in the collections of Nerman Museum of Contemporary Art, Overland Park, KS; Daum Museum of Contemporary Art, Sedalia, MO; Archie Bray Foundation, Helena, MT; John Michael Kohler Art Center, Sheboygan, WI, and numerous others.

Patty Carroll: Miss Adventures

November 2, 2021 By Sherry Leedy Contemporary Art

Patty Carroll continues her exploration of every-woman in Miss Adventures a series of photographic, primarily domestic, tableaus that her anonymous women inhabit. Bad judgement and overwhelming décor choices pave the road to happiness.

The photographs of Patty Carroll are held in the permanent collections of the Nelson Atkins Museum of Art, Kansas City, MO; the Museum of Contemporary Photography, Chicago, IL; The Museum of Modern Art, New York, NY; Library of Congress, Washington, DC, Museum of Contemporary Art, Chicago, IL, Smithsonian Institution, Washington, DC and numerous others.

WITH HOLD ME — Ryan Wilks

November 2, 2021 By Leedy-Voulkos Art Center

Wilks’ newest work consists of paintings from WITH HOLD ME — his book of poetry about love, loss, and a deep dive into highly sexualized content.

WITH HOLD ME is a one-of-a-kind, hand-printed book from Wilks and Claire Monroe, aka Clorg. Original copies will be available that evening.

On October 9, impresario Tim J Harte of Mother Russia Industries presents the second part to Wilks’ project with MANIFISTO, an audiobook on finding sexual liberation during COVID, with readings by Wilks.

Flutist Lena Danoff provides musical accompaniment to the reading.

This work is not family-friendly. They are truthful accounts by an artist who explores his sexual prowess while making himself vulnerable around lovers and other strangers.

Sexually mature adults, lovers, partners, and pickups are encouraged to attend, but leave the children at home.

The second part will also take place inside the Dungeon Gallery at Leedy-Voulkos Art Center.

Bio

[Ryan Wilks is a self-taught artist based in Kansas City, Missouri. Their work explores the various realities of queer existence. Primarily creating with oils, watercolors, sculptural assemblage, and ritual, their work sheds light on queer expression of spirituality and sexuality. Their bodies of work address and confront religion used as weapon and explores new modes of prayer through visual and participatory exhibitions. While religious and archetypal iconography such as the Devil and Lilith are seen within their figures in their paintings and used to express gender and queer ideologies, the work itself does not adopt the feeling of weighted religious rites. Instead, the work invites the viewer to participate in a modernized expression of spirit.]

Ryan Wilks

ryan@wilkspainting.com

Still Shakin’

November 2, 2021 By ccruz@belger.net

Belger Crane Yard Gallery presents Still Shakin’ opening Friday, November 5, 6 pm – 8 pm at 2011 Tracy Avenue, Kansas City, MO 64108. Artists’ remarks at 6:30 pm. The exhibition will remain on view through December 31, 2021.

Still Shakin’ is an exhibition that celebrates salt and pepper shakers. Artists were asked to create their versions of these functional tabletop essentials, which resulted in a playful array of styles and forms. From miniature outhouses, to control top panty hose, the inspiration and creativity behind these shakers is sure to make you smile and view these mealtime mainstays in a new light.

Belger Arts’ 2019 debut of this concept was such a success, the exhibition is back with new and returning artists. This year’s participating artists include: Nicole Aquillano, Andrew Avakian, Alison Brent, Bianka Groves, Pierce Haley, Mandy Henebry, Al Holen, Meredith Host, Paul Maloney, Courtney Michaud, Lilly Powell, Cydney Ross, Jamin Shepherd, Melanie Sherman, Malcolm Mobutu Smith, Casey Taylor, and Shalene Valenzuela.

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