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Crossroads Arts District

Kansas City's Creative Neighborhood

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Visions of the Flint Hills

September 27, 2021 By jon@buttonwoodartspace.com

Join us for First Friday and tour the Flint Hills through art! Live music will be performed by Tallgrass Express, beer provided by City Barrell Brewing and light snacks will be available as well! (Subject to change dependent upon CDC recommendations). We hope to see you from 5pm – 8pm!

13th Annual Visions of the Flint Hills Art Benefit and Sale is a juried exhibition featuring artwork of the remarkable ecosystem that is the Flint Hills. The Flint Hills region contains the largest tallgrass prairie in North America. The beautiful scenes of the prairie inspire artists locally and nationally.

All artworks in this exhibition will depict or be derived from the Flint Hills region of Kansas. This exhibit will run from October 1st – December 16, 2021 at Buttonwood Art Space, 3013 Main Street, Kansas City, MO 64108.

Art sales benefit Friends of Konza Prairie (FOKP), a friends group of Kansas State University. FOKP promotes educational research and experiences in the Konza Prairie Biological Station, an area of the Flint Hills just south of Manhattan, Kansas. The 8,600 acre Konza Prairie and the surrounding Flint Hills region contain the largest remaining parcels of the Tallgrass Prairie that once covered 140 million acres in North America.

October Group Art Show

September 27, 2021 By Jones Gallery

October Group Art Show to host local and national multi-media artists including:

  • Brenda McDermott
  • Gina Jackson-McCoy
  • Jeff Williams
  • Traci Findley
  • Miriam Wahl
  • Caroline McNeal
  • and more!

First Friday Show, October 1st. Open 10am.

Artists Reception from 5:00 to 9:00p.m.

Open daily 10:00 a.m. to 6:00 p.m. Closed Sunday

Jones Gallery
1717 Walnut. KCMO. 64108
816 – 421-2111
https://jonesgallerykc.com

Alice Kettle: The Towers

September 27, 2021 By ccruz@belger.net

The Towers is a a large-scale, textile triptych by British artist Alice Kettle. The artist created the work in response to the 2001 attack on the World Trade Center. After the work was first shown in the U.S. during a 2009 Surface Design Conference in Kansas City, the artist gifted Towers to the Belger Collection so that it would remain in the U.S.
Kettle is a contemporary textile/fibre artist based in the UK working since 1986. She originally trained as a painter and this continues to drive and underpin her work. She has established a unique area of practice by her use of a craft medium, consistently and on an unparallelled scale. Her work is primarily textile based, the expressive journey of a line of thread, which is made up of individual tiny stitches combined to form swathes of colour and painterly backgrounds which incorporate rich hues and metallic sheen. The exploration of digital stitch and print programmes have been an area of research which sit within her practice. The content looks at narrative, material memory and the cyclical repetition of universal story/myth and cloth.
Her work is represented in various public collections throughout the world and Her interest in cross material and collaborative practice has initiated the Pairings touring show and she is currently co editing Collaboration through Craft commissioned by Berg. Other publications include machine Stitch perspectives and Hand Stitch perspectives published by Bloomsbury. She is currently Senior Research Fellow at Manchester Metropolitan University and is Visiting Professor at the University of Winchester.

Teresa Magel: Craving the Muse

September 27, 2021 By bob@hilliardgallery.com

Teresa Magel’s work are not only definitions of what Femininity is but also a dialogue of what internal femininity looks like. The aesthetic beauty is visible because of how Teresa chooses to see the world. True feminine beauty is visible only because it is a reflection of all aspects of what she believes the essence of being female is. ” It is being beautiful outwardly because your soul is truly beautiful. It is displaying strength and persevering amidst vulnerability. It is defining and loving yourself un-apologetically. Its loving yourself unconditionally so that you may be love to others, Beauty.”

Teresa’s figures are often identifiable by their large coiffures of hair and their dreamlike eyes, lending them a sense of serenity and ardor. Teresa will also integrate elements of nature to elicit a feeling of passion and showing grace, such as butterflies, bees, dragonflies and hummingbirds.

on the bridge between — Lanecia Rouse Tinsley

September 24, 2021 By kellyk@christcommunitykc.org

“… come celebrate
with me that everyday
something has tried to kill me
and has failed.”
‑Lucille Clifton

on the bridge between is a collection of mixed media collage works born from a year of exploring notions of resilience and the myriad ways humans choose to lean into life while on the bridge between those everyday realities that have the power to destroy us and the somethings beckoning us to keep going in spite of it all.

Here is a collage of language from my studio notes during the creation process of this body of work. Let them serve as my artist statement:

My days consist of a steady intake of news, ideas and poetry that speak to what it means to be human in the world. In this studio I take what I digest, literally deconstruct it and reconstruct it into something new that stirs or opens up the imagination to new possibilities. Something enticing, aesthetically pleasing. This daily act of re-imagining invigorates, heals and keeps me keeping on.

This work so far allows me to engage the everyday realities and traumas of life without drowning in despair, grief and anxiety. It’s like I’m simultaneously dreaming and praying with my hands on each piece— pushing back against those aspects of life that push hard against me… against us.

Each piece is full of half-hidden truths abstracted from each layer that you have to lean in close to see; and even then it requires further thought and investigation.

My love affair with color, texture, symbols and metaphor continues.
Blue… it is the color I often see when I take that journey inward to illuminate that dark wilderness Baldwin talks about. It is the color I feel and perceive when I engage the world in which we inhabit and create. It is the color of the things that move me to stillness and compel me to exhale deeply. It is the color of breath. It is a color that feels like home; while also, at times, feels so very far away.

Green is life.

Lucille Clifton’s poetry has been a gracious and generous companion.

ABOUT THE ARTIST

Lanecia Rouse Tinsley is a multidisciplinary artist based in Houston, TX. Her portfolio includes a range of abstract painting, photography, teaching, writing, speaking, and curatorial projects for local non-profit organizations. Lanecia creates work that focuses on liminal space, on the not-yet-formed possibilities and depictions present in materials and their presentation that point towards “otherwise” possibilities and the everyday quests humans undergo to construct meaningful and content lives. Her work is the product of contemplative and intuitive abstract mixed-media practices and is informed by sociology, theology, culture, poetry, and history.

Lanecia is the 2020 – 2021 Artist-in-Residence for the Center for Engaged Research and Collaborative Learning (CERCL) at Rice University and is also the Artist-in-Residence at Holy Family HTX (2017-Present). She is a Co-founding Creative Director for the ImagiNoir Equity Group, an international alliance and community development and equity group of black activists, artists, writers, scholars, philanthropists, and educators. In addition, she is the Director of Justice and the Arts with projectCURATE.

Lanecia has exhibited at Urban Zin Gallery, New York City, NY; Collect it for the Culture, Houston, TX; Houston First Corporation, Houston, TX (2021); Inman Gallery, Houston, TX; Project Row Houses, Houston, TX (2020); Urban Institute for Contemporary Arts, Grand Rapids, MI; Forth and Nomad Gallery, Houston, TX (2019); American Church in Paris, Paris, France where she did a 1‑month residency (2018); and Fourth Chapter Gallery, Kansas City, MO.

Lanecia is a graduate of Duke University Divinity School and Wofford College.

Website: laneciarousetinsley.com/

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