For the past nine years, Four Chapter Gallery has enjoyed a partnership with the Kansas City Art Institute Fiber Department, and each May exhibit the work of a graduating senior.

Visit the gallery to join us in this wonderful opportunity to celebrate and support a young artist who is on the cusp of transition into a new phase of life.

Annalee Hanson’s Lineage examines the intersection of hand weaving and natural dyes within the digital realm. Annalee translates family photographs through a medium that pays homage to the craft practices passed down within the women in her family. Using a digital loom she weaves images to bring the past and present together. 

There will be an artist talk on Friday, May 3 at 6:30pm.

One of the underlying premises in assembling the Belger Collection is the importance of collecting multiple works over time by the same artist. Collecting in depth provides a glimpse through the artwork into how the artist approaches life, love, loss, and the other inevitable changes over the course of time. The viewer brings a perspective through unique memories and personal experiences that leave a mark and inform identity.

The artists in Whispers and Screams explore their memories and perceptions of people, places, and moments in time. Some of those memories are loud and jarring. Others are more reflective and have softened with the passage of time. There are examples of stereotypes, idealized love, lust, romance, excitement, loss, and regret. There are glimpses into the complexity of communities at all levels, the commonalities, and the differences.

The works selected for this exhibition focus on people, histories, and relationships. Human beings are pack animals. People look for their communities and how to understand their place in them. In the course of that exploration, an understanding develops of the past, present, and future.

Artists included in the exhibition: Terry Allen, Manuel Álvarez Bravo, Nick Bubash, Clayton Bailey, William Christenberry, Robert Cottingham, John De Andrea, Viola Frey, Michael Hannon, Jasper Johns, Guy Johnson, Kate Kretz, Wes Lyle, Ed Massey, Jack Mendenhall, Jerry Ott, Joey Quiñones, Mel Ramos, Robert Rauschenberg, Don Reitz, Larry Rivers, Alex Siburney, Herb Snitzer, Robert Stackhouse, Renée Stout, Akio Takamori, William T. Wiley, and Winter & Williams.

Jones Gallery April Art Show!

First Friday, April 5th Opening from 5 till 8 pm.

Show runs thru May 2nd.

All welcome and always free, thanks!

Regular Gallery hours are by appointment,
from 10:00 a.m. to 6:00 p.m. Closed Sunday

Jones Gallery 1717 Walnut, KCMO. 64108
816 – 421‑2111
https://jonesgallerykc.com/ 

“This current series of portraits are rooted in Ho-Chunk identity. I am extending the boundaries of photography by incorporating bead-work directly onto the photograph. The use of Ho-Chunk floral and geometric designs is a metaphor for the spirits of our ancestors who are constantly looking over us.” — Tom Jones 

“The artworks for Horse Songs were created to honor, remember, and respect the Comanche, Kiowa, and Cheyenne people and their horses.

“In 1874, the US Military leader Ranald S. Mackenzie ordered the 4th U.S. Cavalry troops to slaughter an estimated 1400 horses and mules in Tule Canyon belonging to the Comanche, Kiowa, and Cheyenne people who had set up camp in Palo Duro Canyon, Texas. This act of genocide contributed to the forced removal of the Comanche people to the present-day Wichita Mountain area of Lawton, Oklahoma, which is my home.

“Horse Songs consists of sculptural horse masks and works on paper. I screen-print and paint on a variety of materials such as Naugahyde, felt and paper. The images I use are abstract representations of what’s above, on and below the land. While painting, drawing and printing, I am thinking about how we contribute to society and the challenges we face currently and in our future. I consider the importance of place, being grounded with oneself and our quest to discover more about who we are as a people. I’m looking at the stars as the future, present and the past. ” – John Hitchcock