Enjoy visiting with the artists of Studio Above and viewing all their work. Artists Nancy Clay, Vanessa Lacy, Noelle Stoffel, William Rose and Jackie Warren all work at the studio. A new addition to the studio is Kim Ansari. Her art consulting business, Perennial Places, features different artists during the year for viewing pleasure and purchase.

View Recent Acquisitions to the Studios Inc Residency Collection from artists in residence in 2023 and 2024. Including works from Harold Smith, Kate Clements, Hadley Clark, JT Daniels, Leon Jones, Caleb Taylor, Casey Whittier and Hong Chun-Zhang.

Also come see Studios | 2025, featuring works from Studios Inc Artists-in-Residence in 2025 — including works from Kate Clements, Hadley Clark, JT Daniels, Leon Jones, Caleb Taylor, Casey Whittier, Melanie Johnson, Armin Mühsam, Peregrine Honig, and Hong Chun Zhang.

Open April 4th, 2025, from 5 – 8 pm.

Jerry Kunkel’s paintings speak to our individual appetite for self-reflection, born of a collective and universal desire to comprehend, both physically and emotionally, the world around us. He often weaved narratives in a poetic or humorous fashion, sometimes constructing the work with no apparent end in sight, allowing the consequent juxtapositions of images to create a story. His work superimposes original and found imagery with the addition of text as an attitudinal descriptor, or an extra, content-specific image. In addition, the frequent incorporation of the illusion of plywood or other non-precious surfaces adds the element of the everyday and has pervaded his work for years.

Jerry was interested in our momentary reaction to everyday stimuli, that moment that summons a private response – a response that we may not feel compelled to share for a variety of reasons; perhaps because it doesn’t seem important, that our response is not fully formed, or we simply don’t care to think about why we really don’t care. In the end, whatever it is, he would say “trust what emerges and embrace uncertainty.”

Kathy Liao is known for her large figurative works that translate her lived experience and history into colorful, luminous, multi-layered compositions, that often portray herself and family. During the isolation of the pandemic, Liao’s paintings revealed the loneliness and distance of that experience and made it tangible.

In Liao’s newest work, We Met in a Dream, the intimacy of story is mirrored by the intimacy of scale. Liao uses the immediacy of working in a small size to summon stories from her memories, or the trance of a dream, to the poetry of painting and collage. These explorations are full of movement, leaving clues and pointing the way.

“I woke up one day from a dream where my little sister turned into a fly. I reached and grasped for her, to protect her, to keep her safe. I felt deep panic, guilt, and dread. In the moments before waking, I cupped three dead flies and I couldn’t tell which one was her.

I started a dream journaling practice a year ago. Each drawing is a strange affirmation and quiet unraveling of the human drama in my mind. My work exists in the fluid state between experience, memory, dream, and place. In an attempt to translate the fleeting and subconscious, at the intersection of history and time, the drawings shapeshift and settle into allegories of their own.” -Kathy Liao

Biography

As a Taiwanese American artist, Kathy Liao looks for patterns and repetitions that weave through the immigrant families’ experience in her mixed-media work. She is the recipient of various recognitions, including the 2023 Joan Mitchell Foundation Fellowship, 2022 21c KC Artadia Award, 2020 Charlotte Street Foundation Visual Artist Award, and a public art commission for the new Kansas City International Airport. Her work was shown in galleries and museums in Boston, New York, Los Angeles, Seattle, Kansas City, and many other cities nationally and internationally. As a mentor and educator, Liao lectured and presented at multiple institutions and conferences nationwide. Formerly, Liao was Director of the Painting and Printmaking department at Missouri Western State University. She was nominated “Most Influential Professor” in 2019. She is currently the organizational services program officer at Mid-America Arts Alliance.

How We Cope is a three-artist examination of what motivates an artist to continue creating in the face of tragedy, adversity, and the challenges that life throws at us. How do we remain resilient and continue to create when the world pulls the rug out from under you? How does one continue to create in the face of loss?

Taking the concept of art therapy to the extreme, three artists come together to share their creative coping mechanisms and the creative output inspired by their recent struggles.