Beggars Table is honored to host Spiritual Rendering, a collaborative exhibition by Ben Parks and Kyle Selley.

Ben Parks works with large-scale canvas paintings to capture the essence of a soul. Each step and layer of paint mirrors a life experience and though not all layers of paint are visible, they affect the outcome of the whole just as the subconscious mind affects our outer lives.

Kyle Selley uses fireworks to create his current body of work. He is studying to understand why we are drawn to spectacles of light by approaching the composition in an exploratory way. The results simulate abstracted cosmic explosions, frozen in time.

Together their artwork is united through color, scale, and motivation. The deep and vibrant shades of blue allow for a cohesive curation of visual intrigue. These monolithic paintings are first recognized from across the room and progressively provoke engagement on an intimate level. The viewer begins to study the minute details within the vast amount of visual information provided and one begins to notice a subtle revealing of the artist’s process.

Please join us for a spirited and thought-provoking exhibition filled with large, colorful paintings. Brilliant portraits and fiery abstractions meld together gracefully and provide viewers with a transcendental space of contemplation.

In recent years there has been an increase in the creation and acceptance of figurative art and that includes, promisingly, the acceptance of such work in the high-end market. But why do artist and collectors like art of the Human Form? Simply put it is because art is a means of communicating human experiences, therefore human bodies are naturally depicted. The figurative form can be used as the ideal medium to convey a spectrum of ideas with which the viewer can resonate. The human figure has always been a common subject of visual art, “it forces the viewer to engage the artwork and enables the artist to express an entire range of ideas from the subtle to the intense”. In the history of art the human figure bears, in different ways and through different periods in time, a huge significance, being the most direct means by which art can address the human condition. We take pride in the fact that we are champions of figurative art and as this 13th annual exhibition shows we are not alone in this belief.

The Contemporary Figurative show seeks to showcase the best artwork, selected Nationally and Internationally.

I strive to paint as my mother cooks. For us, the process is absorbing, spiritual, sometimes transcendent – and complete only when you are involved in the outcome. My goal is to initiate shared experiences that we’ll enjoy again and again. I revel in bold colors applied with big brushes and palette knives. I’m looking for the essence of the subject, its truth, more than its details. Rather than rein this state in, I work to sustain it. Thus, I ensure my paintings are never too finished; in fact, they succeed only when there are conceptual spaces for you to fill. There’s no right or wrong way to do that. If you stand closely to my painting, you should begin to feel the way I felt in creating it. If you step back, we can resolve the image together. – Lisa Noonis

Jonathan Christensen Caballero’s multi-media figurative sculptures are both personal and political. Inspired by familial ties, his work focuses on the immigrant experience and gives visibility to the struggles of the working class, including Latin American laborers in the United States.

Christensen Caballero uses a number of materials to create his life-sized sculptures, including red earthenware, recycled fibers, and fabrics, readymade objects, building materials, indigo, metal, and wood. His choice of materials is deliberate and layered with meaning and history. The red earthenware faces begin as life castings of people in the artist’s life. The indigo and denim used in the construction of his figures reference the history of labor. The reused tablecloths, bedsheets, and work tools that clothe and adorn these figures relate to specific objects that laborers work with today. Additionally, the iconography and artist’s choice of color palette acknowledge the pre-colonized art of the Americas.

Jonathan Christensen Caballero depicts moments of labor and struggle alongside feelings of love and joy. Poignant, hopeful, and rich in meaning, the works in this exhibition are a reminder of existing inequities, of our common bonds and interdependence.

Jonathan Christensen Caballero was born and raised in Utah. He graduated from Utah State University with a Bachelor of Fine Arts in ceramics and sculpture and completed his Master of Fine Arts in ceramics from Indiana University in the spring of 2020. He is the current Interdisciplinary Ceramic Research Center (ICRC) Artist in Residence at Kansas University in Lawrence. He is a recipient of the International Sculpture Center Outstanding Student Achievement in Contemporary Sculpture Award and was recently recognized as a 2021 Emerging Artist by Ceramics Monthly.

For high-resolution images, click here. Artist bio and additional images are available on our website.