Amy Abshier (American, b. 1974)

As a painter there are times when I’m working, perfectly at peace and almost outside myself, and then everything seems to fall into place effortlessly, like the painting is just creating itself. It’s magic happening, it must be.

There’s a sisterhood to this body of work; the subjects come from a place of contemplation and the awareness of what it means to be a woman, to be a strong and magical presence in this world.

Even though the figures are not kinetic, there is an energy they share that’s just below the surface, understated but there. It glimmers softly, waiting for the right person to walk up and see it there.

It’s an ordinary magic; something in you recognizes it but maybe you can’t articulate exactly what it is. It just speaks to you.

Represented by Blue Gallery since 2005, Amy Abshier-Reyes was raised on the Texas Gulf Coast, in a small farming and ranching community. She moved to Kansas City, MO to attend classes at the Kansas City Art Institute, where she received her bachelor’s degree in fine art in 1997. Amy currently lives and paints in Kansas City, MO, and her work can be found in numerous corporate and private collections nationwide.

Come one, come all, to our next First Friday event on September 2nd! We will be welcoming many local vendors: Charcutie Boards, The Short Stop Shop, N.S.D. Designs, Creations by Rosita, KC Bloom, and MSE Designs. We will also have live music performed by Jay Melody & Co, as well as drink specials at the Jim Leedy Restaurant & Bar.

Every First Friday, we extend our Happy Hour from open to close. $2 off select draft pours, $2 off all wines by-the-glass, and 1/2 price select pours of whiskey.

MoMA describes Social Realism as “A movement that flourished between the two World Wars in response to the social and political turmoil and hardships of the period. Artists turned to realism as a way of making art easily accessible and legible to the wider public, often portraying their subjects — including well-known figures and anonymous everyday workers — as heroic symbols of persistence and strength in the face of adversity. Through their work, they aimed to call attention to the declining conditions of the poor and working classes, and to challenge the governmental and social systems they held responsible.” Social Realism was an art movement that saw the goal of art as something more than art for art’s sake. These artists saw art as being a tool for bringing strong political and social commentaries to the masses. It was art for the sake of the forsaken. Does the early to mid-Twentieth Century art movement of Social Realism, relate in any way to the contemporary concerns of American art? Social Realism is a very broad term for painting (literature or other art) that comments on contemporary social, political, or economic conditions in a realistic manner. Often the term carries with it the suggestion of protest of propaganda in the interest of social reform. Curated, critiqued, and censored, contemporary art searches for a rhythm that moves in flux with society, adapting to concepts, techniques and trends that have become popular avenues of artistic expression, allowing for social realism to make a revival. Social realism has evolved into a timeless-means for celebrating individuality and the character of its subjects today. Social realism, a young yet piercing art form, evolved into a means for appraising ordinary people’s true character, personality, and style, and furthermore, diminishing society’s tendency to reduce people to its desired perception of them and hierarchical structures. Instead, contemporary social realism shines a light on people’s brilliance and individuality. The past few years have brought about an astronomical shift in societal perception, by which the purpose of social realism has been rejuvenated. Although a lot of these issues have always been present, there has been a surge in concepts such as ‘passing the mic’ — a catchphrase describing the need for non-marginalized people to give marginalized communities the opportunity to take up space and tell their own stories, rather than having someone else do it for them — and striving for equality. This covers issues relating to race, gender, sexual orientation, and class, which one can only hope is being recognized as more than a trend and are here to stay. Participating Artists Linda Anderson, Adele Aronson, Brandin Barón, Justin Canja, Nikyra Capson, Clarisse Casalino, Cesar Ceballos, Jack Crouch, Shanoor Devarj, Sara Drescher, Juan Granados, Ryan Horton, Jean Howard, Susannah Isreal, Leonard LeDoux, Jean McGuire, Arielle Romano, Joan Siem, Richard P. Stevens, Jeff Williams, Jamie Weinfurte

For the first time in Kansas City history, the Chiefs are working alongside the First Fridays committee to create “First Fridays with the Chiefs.” This event will support the vibrant arts scene in the Kansas City Crossroads Arts District, while also giving attendees a chance to celebrate the start of the 2022 Chiefs season. The club will host a Chiefs-themed street from 5 – 9 p.m. on W. 19th Street from Wyandotte St. to Baltimore Ave. This hub of entertainment will feature live music, live mural painting, local artist pop ups, merch sales from Charlie Hustle’s new Arrowhead Collection line, and much more!