The group exhibition will feature resident artists: Lilly McElroy, Yoonmi Nam, Peregrine Honig, Harold Smith, Hong Chun Zhang, Emily Sall, Kate Clements, Hadley Clark, JT Daniels and Leon Jones

This year, Studios Inc welcomed 4 new artists to the artist residency program: Leon Jones, JT
Daniels, Kate Clements and Hadley Clark. STUDIOS INC | 2023 will be on view through May 20th.

Exhibition hours are Wednesday thru Friday 10am-4pm and Saturday 12 – 4pm.

The gallery will be closed on Saturday, April 8th for the holiday weekend.

Launched to serve mid-career artists, Studios Inc is Kansas City’s only nonprofit arts organization
offering pivotal three-year residencies to mid-career artists who are poised to significantly expand their careers. Studios Inc offers a unique immersion experience for resident artists, who use their studio and exhibition space to produce and exhibit work, network and learn from one another, and attract and cultivate relationships with art patrons, collectors, and arts professionals.

butch Murphy’s sculpture practice came late in life when searching for a meaningful form of expression and creativity. Through his journey, Murphy was mentored by long-time friends, artists Michel Beaudry and Bonnie Baxter, as well as life-long partner, Corva with her foundation in Art History. Murphy’s work has been exhibited in several local galleries, with a solo show at the Ashby Hodge Gallery of American Art. He has developed several ongoing venues for public display of his work throughout mid-Missouri, the Kansas Flint Hills, the Kansas City metro area, South Carolina and Oklahoma.

I’m the creator, fabricator and abstract metal sculptor, autodidact by training, combining new and found carbon steel producing representational forms. I make no drawings beyond a simple chalk drawing on my work bench. Stealing words from Jackson Pollock, as I’m producing my sculptures there is a definite period where I spend time just getting acquainted, thus providing direction and evolution. I create to instill a degree of spectator confusion asking for responsive participation. Although in recent years I’ve focused on horse sculptures, I’ve been inspired by such things as a reflection on the ceiling or an early morning dream, many that just vaporize, fortunately. I don’t see myself being trapped by a leitmotiv, however, I am definitely captured by geometry and the Cubist movement. I’m taken by the layering three dimensional effect seen in paintings by Braque and best described by what Donald Baechler defined, and I borrowed, ‘editing’. For now, each production is a study … never expecting perfection, as that would eliminate the search, and for me, the end. — Murphy

Exhibit Events:

Artist Talk + Closing Reception: Saturday, April 23, 2 – 4pm

Exhibit Open Hours:

Saturdays 2 – 4pm: 3/11, 3/25, 3/30, 4/1, 4/22, 4/29
Thursdays 6 – 8pm: 3/23, 4/20, 4/27

About the exhibit:

In Healing Sanctuary, Kammy Downs blends drawing, natural dye, fiber, and needlecraft to create beautiful installations.

She uses her work to explore the connections between God and nature and the particular ways that the mysterious life cycle of plants reveals aspects of the hidden spiritual world. She creates and uses many natural dyes herself, and through this process she considers the role of plants as a God-given remedy for the healing of our bodies.

As one member of a multigenerational line of artists and seamstresses in her family, Kammy’s work also uses many familiar domestic materials and practices that have been passed down between women in families and communities throughout history.

About the artist:

Raised in rural South-Central Kansas, Kammy Downs enjoyed a supportive childhood that allowed exploration of creative pursuits and nature. Downs attended Emporia State University where she was inspired to teach art. Her love of the art-making process has deepened through the experience of teaching for 35+ years in a variety of institutions from Montessori to public schools in California, Kansas, and Missouri. She has had the privilege of creating several murals with students and has written public art grants, two of which included work with internationally known Kansas artists, Stan Herd and Shin-hee Chin.

Recent highlights of her work include participation in the 2020 Salina Biennial Exhibition, a Social Practice project called ‘Seeds4HOPE,’ which brings attention to resources for creating resilience in the midst of depression. Downs completed her Master of Fine Arts program at Fort Hays State University in 2022.

Downs and her husband, Gary, live in Kansas City and have five grown daughters and four grandchildren.

Gimme Ten, celebrates ten years of The Hand Magazine. The show features a dozen artists from the United States and Mexico. Their work spans a range of subject matter, topics, techniques, and visual styles. 

Raul Pineda Arce will be showing work in the United States for the first time. His expertly crafted mezzotint prints address violence and loss through beautifully rendered, haunting narratives. Haley Younce creates delicate intaglio prints on tissue paper that are, “inspired by the investigation of coping mechanisms throughout [her] mental health journey.” Jeanne Arenz, Andy Holiday and Lijun Chao, Locus Chen, and Patty deGrandpre use printmaking techniques to create abstract works that bubble and twist with color and energy. Steven Mastroianni’s large scale cyanotype prints combine drawing and cameraless photographic process to create “dream-inspired micro/macrocosms”. Stephanie Kolpy, Maureen Mulhern-White, and Matel Rokke use various combinations of print and photography in their works, all of which combine animal imagery with vibrant color, architectural forms, and hallucinatory landscapes. William Hays’ multi-colored relief prints are inspired by his memories and impressions of landscapes. Catherine Kramer is the youngest artist in the show. Kramer is an MFA student at the University of Miami. Her stunning intaglio prints are inspired by botanical illustration and her visits to botanical gardens.

Bio

Founded in April 2013, The Hand Magazine is based in Prairie Village, Kansas, USA. It is owned, published and co-edited by Adam Finkelston. James Meara is lead designer and co-editor. Together, Finkelston and Meara curate each quarterly issue from submitted images from around the world. The Hand Magazine is dedicated to the support and exhibition of hand-made artworks using mechanical or reproduction-based processes. The goal is to present the most innovative and unique contemporary photography, printmaking, and collage artwork in the world. “The Hand” is about connecting artists, serving as a resource for artists and enthusiasts, and building bridges across creative communities. Let’s join hands. More information is available on the magazine website: http://www.thehandmagazine.space…

A native New Yorker, Terry Winters graduated from Pratt Institute in 1971, focusing on painting. Through the 1970s, while studying nature, especially molecular level life forms, Winters honed his craft as a drawer and a painter until he was ready for his inaugural exhibition in 1982 at the prestigious Sonnabend Gallery. Later that same year he began his first foray into printmaking at Universal Limited Art Editions (ULAE) on Long Island. Winters became one of the leading printmakers in the U.S. At first, he was leaving his Manhattan studio one day a week to work with the master printers at ULAE, and that later escalated to up to four days a week. As art historian Richard Axsom wrote in “The Philosophers’ Stone: The Prints of Terry Winters:”

Printmaking is a forum whose procedures and collaborative protocols have allowed Winters to explore the expressive nature of his drawings. For an artist whose cardinal subject is protean form, printmaking encourages a changing image through the various proofing phases that lead to an editioned print. A print reflects a progressive history of alterations. It is a record of mutation, an accumulation of discrete changes that has no exact counterpoint in drawing or painting.

Over the years, Winters’ paintings, drawings, and prints have been featured in major retrospectives at the Boston Museum of Fine Art, the Whitney Museum of American Art, the Irish Museum of Modern Art and the Metropolitan Museum of Art.

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