y paintings have always been about landscape. Over the years the work has changed, both in content and imagery. One series of paintings leads to another. A gradual refinement from vast panoramas to the specific. For the past six years my paintings have been based on gardens. Gardens are the “tended to” aspects of landscape. The space, the color, shape, texture and space are key elements in landscape and in my work.
The primary influence of my work comes from a philosophy, which suggests the primacy of a personal response and the interpretation rather than the copy of nature. The paintings straddle the line between abstraction and realism, what is seen and what is imagined. This sensibility, both aesthetically and philosophically, expressed in this duality of approaches is an interpretive, personal response to the visual world.
-Fred Nelson
Fred Nelson’s paintings are human scale, intimate, contemplative, and poetic. He builds them through multiple layers of paint that resonate with the layers one finds in nature. Close examination reveals color subtly shining under or beside other unexpected color shapes, creating atmosphere, space and light. In addition, the visual movement of the paintings echoes the way one physically moves through the landscape. Nelson’s paintings occupy that territory between recognizable imagery and abstraction, hovering back and forth, each quality strengthening the other.
