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Crossroads Arts District

Kansas City's Creative Neighborhood

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FRED NELSON: The Surface of Light

February 4, 2025 By Sherry Leedy Contemporary Art

My paintings have always been about landscape. Over the years the work has changed, both in content and imagery. One series of paintings leads to another. A gradual refinement from vast panoramas to the specific. For the past six years my paintings have been based on gardens. Gardens are the “tended to” aspects of landscape. The space, the color, shape, texture and space are key elements in landscape and in my work.

The primary influence of my work comes from a philosophy, which suggests the primacy of a personal response and the interpretation rather than the copy of nature. The paintings straddle the line between abstraction and realism, what is seen and what is imagined. This sensibility, both aesthetically and philosophically, expressed in this duality of approaches is an interpretive, personal response to the visual world.

-Fred Nelson

Fred Nelson’s paintings are human scale, intimate, contemplative, and poetic. He builds them through multiple layers of paint that resonate with the layers one finds in nature. Close examination reveals color subtly shining under or beside other unexpected color shapes, creating atmosphere, space and light. In addition, the visual movement of the paintings echoes the way one physically moves through the landscape. Nelson’s paintings occupy that territory between recognizable imagery and abstraction, hovering back and forth, each quality strengthening the other.

KCAI AAPI Dissonance- Repressed Tones

February 4, 2025 By info@leedy-voulkos.com

FEATURED ARTISTS

Colleen Bailey

Zen Echo

Lucy Hodges

Sophia Gaeun Lee

Angela Lim

Lu Lu

Lucas Nguyen

Yash Singh

Thanat Singhirunnusorn

There exists a genetic predisposition to perfect pitch caused by the prevalence of tonal language in many Asian cultures. However, the societal expectation for English fluency overwhelms that internal resonance. While the skill is exercised through music lessons and familial translation, the root of the sound is lost to an environment that sees little use for the ability day-to-day. With pressures to conform and, at times, performing to forget, how does one create harmony from opposing voices? Dissonance expresses the conflict Asians in America experience between the sounds they live and the ones they leave behind.

KCAI BSU — Roots: A Reclamation

February 4, 2025 By info@leedy-voulkos.com

FEATURED ARTISTS 

Gabrielle Akins

Paige Bennett

Junior Brown 

Zhakia Foster

Carly Henley 

Bella Lusk

Janelle Manns

Veronica Parks

Cherline Philogene

Shawn Roundtree

Fern Scott

Aerie Tobias

Elan Warren

Camarie Whayne

Lavender Yang

Roots: A Reclamation is an exhibition featuring current members of the Kansas City Art Institute’s Black Student Union. As the title suggests, each artist addresses Roots as a metaphor for unpacking and reclaiming a collective and individual relationship with Black identity. Alienation within our community, storytelling /oral histories, confronting injustices, music, and black excellence are all themes that converge under the umbrella of this showcasing. Through a diverse body of works we ask the viewer to look deeper into all the universes that make up a community and how each story represents a voice within a chorus of voices that make up the black experience. 

Jones Gallery First Friday Show

February 4, 2025 By Jones Gallery

You are invited to our February Art Show!
First Friday February 7th., opening from 5pm till 8pm.
Show also runs thru March 6th.
All welcome and always free, thanks!
Regular Gallery hours are by appointment,
from 10:00 a.m. to 6:00 p.m. Closed Sunday
Jones Gallery 1717 Walnut, KCMO. 64108
816 – 421‑2111
https://jonesgallerykc.com/

Opening Reception: Mauricio Zuniga, “Latitudes Between Color”

January 25, 2025 By thebunkercenter@gmail.com

A collection of sixteen oil paintings that bridges two worlds. In each piece, colors and forms blend cubism and surrealism to show life between Mexico and the United States.
The collection presents portraits, landscapes, and moments that capture daily life from two perspectives. The artist uses vivid colors and geometric shapes to tell simple yet meaningful stories about identity and memory.
Like a map of experiences, each work marks a moment where cultures meet. Colors build bridges between past and present, between traditional and new. These are not just paintings; they are windows showing what living between two countries is like.

The works are organized to guide visitors through different spaces and moments. Each room shows a part of this story: portraits look at us, landscapes take us to familiar places, and everyday scenes remind us that art lives in simplicity.
In these sixteen works, colors tell stories we can all understand, no matter where we come from.
Born in Poncitlán, Jalisco, Mexico, Mauricio Zúñiga carries the cultural richness rooted in his homeland since moving to Chicago at the young age of 13. He later settled in Kansas City, where he built a successful artistic career. Known among his friends as “Mo,” Zúñiga embodies the fusion of dreams and Mexican charm within his being. From childhood, he has stood out as a creative spirit with a keen eye for beauty and distinction.
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