With the artist and special guest Marty Solomon

About the exhibit:
In this exhibit, artist Madelynne Jones has created a visual representation of the chiasms and patterns revealed in Genesis. Chiasms are ancient literary tools used by Hebrew writers to create patterns in Scripture. These patterns point to a Creator that is so meticulously obsessed with beauty that He’s layered and buried jewels within the Scriptures for us to uncover. Madelynne’s work allows the viewer to see Scripture through dynamic colors and textures that reveal a God committed to telling His story of redemption over and over again.

About the artist:
Madelynne is an abstract painter living in Kansas City, Missouri. She is a self-taught artist, whose work is expressionistic and often includes depictions of culture or spirituality characterized by bright colors, movement, and texture.

jonesmadelynne@gmail.com | 816.703.7405
madelynnejonesart.com | IG @madelynnerae

Get a head start on your holiday gift shopping! Shop our selection of works specifically curated for holiday gift giving.

This group exhibition will be up through December, but come quick. Items are cash-n-carry and won’t last long. You can also shop right on our website at www.bunkercenter.com

Originally from Japan, Michiko Itatani asserts that she is a “made in America” artist. Her paintings reflect her lifelong interest in science fiction and the cosmic, and are inhabited by hovering circles of ight that suggest a spirit, a possibility, a place to go, Infinite Hope.

Itatani is a graduate of the Art Institute of Chicago, where she has been a professor of painting since 1979. She has received numerous prestigious awards including the John Simon Guggenheim Fellowship, two Illinois Arts Council Artist’s Fellowships; and National Endowment for the Arts Fellowship. Her work is held in the public collections of the The Museum of Contemporary Art, Chicago, IL; Art Institute of Chicago, IL; Daum Museum of Contemporary Art, Sedalia, MO; Wright Museum, Beloit, WI; Erie Art Museum, Erie, PA; Olympic Museum, Lausanne, Switzerland; American Embassy Permanent Collection, Brasilia, Brazil; Villa-Haiss-Museum, Zell am Harmersback, Germany; Tokoha Museum, Shizuoka, Japan; National Museum of Contemporary Art, Korea; Musee du Quebec, Quebec, Canada; Museu D’art Contemporani (MACBA), Barcelona, Spain and others.

Peter Pincus‘ elegant ceramics are instantly recognizable as his alone. the slip-cast porcelain vessels that make up Inset build on Pincus’ exploration of the history of ceramics, his technical expertise and understanding of color. The result is a dynamic perceptual experience as though an intimate tactile Op art.

In the world of ceramics Peter Pincus is a master of perfection. In his work, color and form are bound together as if neither could exist without the other. The complexity and hard work of Pincus’ studio practice is concealed from us in the final presentation. The creative invention of form, the precise technique of developing and casting complex molds, and the honing of a finely tuned color palette seem effortless and we see only beauty, exquisite color and form unmarred by struggle or hard work. Perfection of form is often delineated by slivers of cast colored porcelain, fine tuned to color harmonies, more akin to painting than to clay, or grey scales, tuned as though music.

Pincus holds a M.F.A. and B.F.A. from the New York State College of Ceramics at Alfred University. He currently holds the position of Visiting Assistant Professor in Ceramics at the School for American Crafts at Rochester Institute of Technology, NY. His ceramics can be found in numerous public and private collections, including the recent acquisition by the Daum Museum of Contemporary Art, Sedalia, MO.