As I have been in the process of simplifying my work, I find that there is much more going on that is unseen. I believe painting is a series of adjustments no matter what the subject matter or lack thereof.

Continuous change occurs until the painting says we are done. My job as artist is to know when to stop.

Take time to look…there is more than first meets the eye.

The process of abstract art does not translate easily to words. I am not as comfortable talking about my art as I am in making it. I listen to jazz when I paint. Jazz is an improvisation on a theme, a blend of elements in the space of time. My art is like that. My paintings always begin with drawing nonobjective shapes, the use of line to define area and to push the limits of real and abstract. I can’t imagine painting something exactly as it is. That’s what a camera is for. For me, color and my own emotions play the themes, blending the elements in the space of the canvas.

I require nothing special of the observer… Each viewer may see and feel what they see and feel, and play their own themes and improvisations…That way we can both be surprised.

Rainey received he first art award 54 years ago and since has attended Anderson Ranch Arts Center, Snowmass Village, CO and the Santa Fe Institute of Fine Arts, Masters Program. Represented exclusively by Blue Gallery since 2000, William Rainey’s paintings can be found in private and corporate collections worldwide. Select corporate collectors include; Shook, Hardy & Bacon, Kansas City, MO, Data Systems International, Kansas City, MO, Restaurant Management Company, Wichita, KS, Missouri Bank, Kansas City, MO, Lanard Toys Ltd., Hong Kong, and The Conafay Group, Washington, DC.