Darryl Alexander Hines’s exhibition Threads: Art in Motion explores the shifting relationship between memory, identity, and time, using textile as both medium and metaphor. His work is grounded in the idea that the past is never fully behind us — it lingers, visible and influential, much like a fleeting image in a rearview mirror. Through richly layered, hand-stitched portraits and figurative compositions, Hines connects personal history with broader cultural narratives, examining how moments, places, and identities evolve while remaining tethered to what came before.