I work in two series. The first reflects my life in Missouri. My mom’s family has been in the Kansas City area for generations. Although I grew up in Northern California, I spent at least part of each summer in the Midwest. Every time I left I had a deep longing for its intimate hedgerows and big skies. The eventual decision to permanently relocate was an obvious one. My roots here are deep and the landscape is the landscape of my heart. It is the wellspring for my current body of work.

Two figures continually appear in these images, that of myself and that of my dear friend, Lissa. We have known each other a long time, having met when we lived in the Bay Area. Each of us serendipitously moved to the Kansas City area at around the same time and reconnected. This body of work takes our likenesses to explore the complexity of life in Missouri, from draconian post-Roe trigger bans to the softness of a more earth-based lifestyle.

The second series is an affectionate parody of rock art. Each painting adapts a classically driven technique to likenesses of contemporary musicians and their song lyrics. These paintings explore the durability of fame and culture by removing pop icons from their proposed zeitgeists and re-contextualizing them in the unexpected quiet of the natural world.